Description
A professional-grade long-neck bağlama (uzun sap) from Diyar, engineered for stage performance, studio recording, and traditional acoustic play. Finished in a polished high-gloss protective coat, this instrument pairs selected tone woods with industry-standard Fishman onboard electronics for true, feedback-resistant acoustic amplification.
The instrument features a staved tone-wood bowl with a rear soundhole cover brandishing the Diyar emblem, alongside a dedicated 1/4″ output jack on the tail block. Mounted on the upper side is a genuine Fishman Presys+ preamp system equipped with an onboard digital tuner, volume control, 3-band EQ (Bass, Middle, Treble), brilliance contour, notch filter, and phase switch for complete sonic shaping when plugged directly into a PA, amplifier, or audio interface.
The slender neck features tied microtonal frets for authentic quarter-tone maqamat and traditional folk melodies, accented with diamond-pattern position markers running along the center and bordered by edge binding. The headstock is styled with twin racing-stripe pinstripe purfling and fitted with dark, sculpted hardwood friction pegs that ensure precise grip and traditional tuning stability.
Specifications:
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Brand / Model: Diyar Professional Long-Neck Saz (Uzun Sap)
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Electronics: Fishman Presys+ onboard preamp & pickup system featuring built-in digital tuner, 3-band EQ, notch filter, brilliance, phase control, and battery indicator
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Output: Integrated 6.35 mm (1/4″) audio jack on base block
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Bowl (Body): Multi-staved tone-wood bowl in an amber-honey high-gloss finish with Diyar rear soundhole cover
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Soundboard: Fine-grained acoustic spruce/pine top with floating bridge and hardwood string anchor tailpiece
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Neck & Fingerboard: Long neck with tied microtonal frets, diamond inlay fret markers, and dual-tone wood binding
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Headstock & Pegs: Pinstripe-inlaid headstock fitted with sculpted dark hardwood tuning pegs (burgular)
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String Setup: 7-string traditional course arrangement
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Ideal For: Live concert performance, band gigs, studio multitracking, and dedicated players requiring seamless transition between acoustic and amplified sound











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